I’m hesitant to
call any piece of media straight up “feminist” without a lot of thought. There
are so many ways a cultural product can uphold feminist values and do feminist
work – from content and character portrayals to the role of women and
marginalized people working on the writing, direction, and production side. It’s not just a film’s content, but how the story is created and crafted, that can have
feminist aspects and be informed by feminist ideas. There are, of course, so many ways to engage with feminism in
media and fiction, but nothing about the original Star Wars films, or the prequels, really screamed feminist
trailblazers.
As this article
so brilliantly assesses, “Finally, Women Do More Than Give Birth & Die in Star Wars: The Force Awakens.”
And yes, doing
more than giving birth and dying isn’t enough to make a film a feminist
paragon, but it’s a start. And The Force
Awakens does do more. SO MUCH MORE.
***some spoilers
ahead, obviously***
While I love
science fiction, science fantasy, and everything to do with space, the
original films appealed to me more as a child because of adorable beeping droids and Ewoks than
because of female role models. Watching the original films as a kid, I didn’t really imagine women Jedis. I thought Leia was cool and I understood her – she was, to me, a Warrior Princess. I loved She-Ra. I watched Xena. Warrior Princess fit a larger script. But, to me, she was a Princess first.
Having avoided looking too deeply into previews
or speculation on the new film, I glimpsed a lot of imagery around the new
character Rey (played by Daisey Ridley), but I didn’t dare to hope that she would
actually be the main character, a skilled pilot and mechanic, a natural
fighter, and a ~*JEDI*~.
A Star Wars movie...with a main character
who is a woman...and has the Force.
What does it
means that I was genuinely surprised?
There is nothing
surprising about male heroes. In fact, we don’t typically even need to qualify
their gender except in this context – they are just heroes. They are
unremarkable and normalized. No one questions if Luke’s use of the Force is *real* – real, genuine, manly Force-use is presumed.
As Stassa
Edwards explains in the above mentioned article:
“The franchise has always fundamentally been a story of a battle between fathers (or father figures) and sons recast and expanded into the universal theme of clashes between good and evil, light and darkness, all with intergalactic consequences. Yet in the world of Star Wars, women had little to no access to controlling those forces. That Leia was capable of wielding the elusive but powerful “Force,” yet never did (at least in the films), was a defining aspect of her character. She was powerful, but her power was best used in the service of others.”
The
way I see it, the Star Wars franchise
is all about The Patriarchy – in the literal sense. At its core, it’s a story
about lineages, of various sorts: fathers and sons and (male) Jedi masters and
(male) student Jedis. The Empire Strikes Back’s big reveal is
basically an elaborate paternity test result. Darth Vader and Luke Skywalker’s
estrangement on opposing sides of Light and Dark is a major arc,
repeated and reimagined through the relationship of Han Solo and his son with
(now General) Leia, Ben Solo, who becomes Kylo Ren of the First Order and is
well on his way to following in the footsteps of grandpa Vader.
With
the release of Mad Max: Fury Road (read my feminist discussion of this film here) earlier this year and the incomparable Imperator Furiosa, not to mention the recent final Hunger Games film installment and my deep appreciation for Katniss Everdeen,
I didn’t dare expect that The Force Awakens would have such an important
female lead. But maybe I should have, as films pivoting around powerful women characters become less atypical.
As
we can recall, Luke and Leia were poised as potential love interests back in
the day before it was determined that – oops, siblings! – and then she was
quickly paired up with Han. It’s still too early to see how Rey’s story evolves, but those of us attuned to watching closely for gender conventions
(and shouldn’t we all be watching!) noticed how Rey and Finn are depicted as
close, caring, devoted teammates, but not as explicitly romantically interested
in each other. Rather, more importantly, while I at times anticipated some
interest in Rey on the part of Finn, Rey was clearly portrayed as having other,
larger preoccupations than romance.
She’s
also not interested in being saved, coddled, or led, made explicit in her
exclaimed command “stop taking my hand!”
And then...and then: Just when I started to panic that the major lightsaber duel would play out between Kylo Ren (who looks like an Evil Justin Trudeau circa 2011, right?) and Finn, Finn gets knocked out and Rey takes up, like, uses her Force Power Seize Telekinesis, to use Skywalker’s lightsaber to battle. How compelling to see such a fight scene.
And
while I’m sure there are ample criticisms of the film for its female
Jedi-in-training lead character lurking around the Internet and comments sections, I have
yet to hear much criticism grounded in frantic cries of “OH NO FEMINISM!” As Tasha Robinson writes “It’s inevitable: The anti-Rey backlash is coming.” Strong female characters, like strong actual women, tend to be very threatening to The Patriarchy, it would appear.
I spoke too soon: it seems there’s been a lot of discussion critiquing Rey, as a character, for being a Mary Sue, a “term... rooted in a long history of dismissing female characters and holding them to absurd double standards” (read this great overview of the issue by Nico Lang for Salon here).
I spoke too soon: it seems there’s been a lot of discussion critiquing Rey, as a character, for being a Mary Sue, a “term... rooted in a long history of dismissing female characters and holding them to absurd double standards” (read this great overview of the issue by Nico Lang for Salon here).
Still, overwhelmingly, critical reception has been positive and fanfare has been
deafening. Unlike Mad Max: Fury Road,
and the widespread discussion of the film’s “feminist propaganda” as a
detriment (to a few dudes, anyway), I haven’t heard much in the way of claims
of feminist propaganda for The Force
Awakens.
Are
we starting to just accept good films with excellent, smart, strong, powerful women as just good films? Are
we there yet?